James Westwater's conceptual work includes text and performance pieces, altered objects, environments and land art.



An empty rustic whitewashed room with a floral mural and charcoal-drawn faces.
A rusty motorcycle against a wall with a floral mural and three hand-drawn faces.
A doorway in an old whitewashed wall, a motorcycle inside, tall grasses outside.
On a yellow card inserted in a typewriter is typed, “This sentence is my novel.”
An Olympia typewriter with typed card and two pairs of pliers on an orange cart.
Four yellow index cards, one line is typed on each, placed on a plywood table.
A vintage Dymo “dual track home labelmaker” box in white, orange and blue.
A white-on-black embossed plastic label reads, “Have you seen the little iggies.”
An old postcard of a car, tram, man and Christ statue, plus a white painted oval.
An old sepia photograph of a young man with a cigar, plus a white painted oval.
Three books and a purse with collaged fabric and painted oval shapes added.
A Viet Cong model kit box painted with a pink geometric shape of three ovals.
Type reads, “Blue Boy and Pinkie, Together Again,” over a gold framed painting.
A hand reaches for a microphone plugged into a purple fur covered box device.
Wires emerges from a bulging raw canvas object held together with safety pins.
A black line drawing on a shot glass of a serious looking young girl with pigtails.
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